--Jennifer McMahon, Dismantled
This book was thrilling and confusing, but the memory of this image is clear. This moment in the book captured, for me, an important skill that an artist (and I include writers in this, as well as many other artists that I know too little about) must have or develop. These girls managed to get the paint but apparently couldn't afford or justify wooden palettes. Yet the palette is such a strong image representing the artist, perhaps as much so as the easel. But artists are also, supposedly, resourceful, irreverent, and unpredictable. I also notice the symbolism in the objects, intentionally or unintentionally stating that basic human needs (like food) are inferior to the demands of art.
Writing is different in that it doesn't require the same kind of physical labor (okay, that's up for debate), and the tools are simpler. For scribbling (writing practice), I just need a notebook and a couple of pens. I upgrade those supplies because I prefer hardcover journals and a rainbow of pens in many forms. When I want to do product writing (a poem, a story), I go to the laptop, which most writers have or have access to.
But this mixing paints on dinner plates is an image that still grabs me. I like to search for common threads among all kinds of artists.
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